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Post by Deleted on Nov 18, 2020 11:50:17 GMT
On a sidenote: Pure Sky into Klon(e) is indeed a fantastic sounding combination!!
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Post by blindwilly3fingers on Nov 18, 2020 17:00:50 GMT
On a sidenote: Pure Sky into Klon(e) is indeed a fantastic sounding combination!! Don't keep bigging the Pure Sky up, you and def jef will turn my head. 🤕 I don't want another overdrive I'm happy with my klone into the other drives I have. I don't want to go tone chasing any more, even tho I've been having a sneaky look at the Mosky D250X. 🙄
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3,968 posts
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Post by salteedog on Feb 23, 2021 11:45:01 GMT
I just discovered something with the Caline Pure Sky that may be why I like it but may also be a big minus mark. It's MICROPHONIC. I don't have a problem with it but if I turn up the gain and volume to levels I would never play at and turn my guitar volume off and then tap the pedal I can hear it in my amp's reverb. I can shout into the pedal and hear my voice in any delay I have on on the amp. So why? Are the ceramic capacitors acting like piezos? Is it a circuit layout problem? The only other pedal that I could find doing it was, guess what, the Caline Pegasus. So are Caline designing pedal circuits badly or using components that are causing this? No other overdrives I own do it. As I say it's not been a problem for me and I wonder if that 3 dimensionality and interesting harmonics that I have mentioned enjoying before on the Pure Sky, especially when stacked with the Pegasus, is actually a bit of microphonics adding to the signal. At home levels it may be a plus, just as microphonic pickups can be, but I wonder about potential feedback issues or just stage noise being amplified through it live. I need to look into solutions. Anyone know of any? That's an interesting phenomenon. I guess a microphonic capacitor has to be a suspect. But does this happen without a guitar? i.e. with the guitar cable connected to the pedal but with the guitar unplugged.
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